“An Eastern European Ridley Scott… the commentary that is cultural of oeuvre is universalist… their future is our now.” – Ela Bittencourt
“The Polish ‘cinema of anxiety’ soars from this globe into the work of Piotr Szulkin… the films thrive on imaginative eyesight and sociological absurdity.” – Steve Dollar, Wall Street Journal
Movie at Lincoln Center is happy to announce Sci-Fi Visionary: Piotr Szulkin, a retrospective celebrating one of Poland’s many filmmakers that are revolutionary September 6-8.
A manager, screenwriter, novelist, theatrical manager, and painter, Piotr Szulkin frequently encountered censorship through the Polish Communist regime of this belated ’70s and very very early ’80s for his unabashedly political works. Szulkin’s films that are profoundly imaginative be looked at as existential stories, absurdist parables, or premonitions about contemporary society’s hostility plus the evils of totalitarianism. Drawing from 20th-century philosophy and Polish literature that is medieval speculative fiction, noir, and grotesque allegories, Szulkin masterfully wielded the shoestring budgets afforded him generate shockingly iconoclastic technology fiction movies. Referred to as “the undiscovered Fritz Lang of 1980s Mitteleuropa” (Michal Oleszczyk, RogerEbert.com), Szulkin made movies which were hardly ever seen outside of their indigenous Poland but which continue steadily to resonate with chilling truths about humankind, drawing eerily prescient parallels to the present global governmental environment.
Among the biggest retrospectives of their strive up to now, Sci-Fi Visionary: Piotr Szulkin provides an array of brand brand new electronic restorations and brought in movie images. The series showcases every one of Szulkin’s features, including his audacious cult classic Golem , frequently considered a precursor to Blade Runner ; The War associated with the Worlds: Next Century, a reimagining associated with the H.G. Wells novel plus an indictment of mass media’s impact on civilians; O-Bi, O-Ba: the termination of Civilization , which follows the rest of the survivors of a nuclear apocalypse from their dire situation; Szulkin’s exploration of female sexuality in the increasingly delirious and erotic Femina ; the dadaist Ga, Ga: Glory to Heroes , which follows a prisoner aboard a penitentiary spaceship as he is sent on a mission to a police state hell planet; and Szulkin’s final film, King Ubu , based on the 19th-century Albert Jarry play, a brutal commentary on contemporary Poland in the aftermath of the Communism Szulkin criticized throughout his career as they wait for a mythical Ark to save them. Furthermore, the retrospective will emphasize Szulkin’s film that is short, such as the folklore-inspired morality play Dziewce z ciortem and also the documentary Working Women .
Presented in collaboration with all the Polish Cultural Institute ny.
Arranged by Florence Almozini and Tyler Wilson.
Tickets carry on sale Thursday, August 15 and so are $15; $12 for students, seniors (62+), and individuals with disabilities; and ten dollars for movie at Lincoln Center users. Save because of the purchase of three seats or higher.
Acknowledgments: Polish Cultural Institute Ny; Daniel Bird
FILMS & DESCRIPTIONS All tests happen during the Walter Reade Theater (165 western 65th Street) unless otherwise noted.
Femina Poland, 1991, 35mm, 84m Polish with English subtitles After her husband leaves for a protracted company trip and her mom dies, a coolly detached, bourgeois housewife (Hanna Dunowska) embarks on an outre carnal odyssey searching for intimate fulfillment, leading her into increasingly deranged, sinister realms as memories from fever-dream seductions to her childhood mingle. Equal components coming-of-age nightmare, softcore satire, and surrealist cantata, Szulkin’s delirious erotic fantasia unfurls in a nonstop rush of indelibly uncanny images—from a free-floating apparition of the lusty Joseph Stalin to a set of shockingly randy puppets—as it savages faith, their state, plus the notion of the nuclear family members.
Preceded by: brand brand New electronic renovation Working Women / Kobiety pracujace Poland, 1978, 6m U.S. Premiere Stylized with dramatic interiors and a distorted framework price, this very very early documentary miniature from Szulkin illustrates six sequences of solitary, repetitious work. Saturday, September 7, 4:30pm Sunday, September 8, 8:00pm
Ga, Ga: Glory to Heroes / Ga, Ga – Chwala bohaterom Poland, 1986, 35mm, 84m Polish with English subtitles Resistance is useless in Szulkin’s stunningly nihilistic dystopian satire. In the next where life in the world is now therefore wonderful that only prisoners can be used for the high-risk company of room research, poker-faced intergalactic inmate Scope (Daniel Olbrychski) is delivered for an apparently condemned objective to an uncharted earth. Upon their arrival, he discovers some sort of curiously like a dilapidated, postapocalyptic Earth, where he could be welcomed by the population being a “hero,” an ignominious honor, he quickly learns, that is included with a many fate that is barbaric. Using the film’s properly nonsensical name from the babble of their infant daughter, Szulkin delivers a bleakly acerbic commentary from the absurdity of life in a authorities state. Friday, September 6, 4:30pm Saturday, September 7, 8:30pm
brand brand New restoration that is digital Poland, 1980, 92m Polish with English subtitles in certain dystopian future, researchers make an effort to produce a unique, flexible battle of people. an apparently ordinary item associated with the work, the genetically engineered Pernat (Marek Walczewski) is susceptible to round-the-clock monitoring as he goes about their life amidst drab Soviet bloc architecture. Szulkin’s bold function debut, styled in sepia tones and dramatic illumination, happens to be known as a precursor to Blade Runner , but its name also appears back again to an even more ancient misconception of creation and morality.
Preceded by: brand brand brand New electronic restoration The Gal plus the Fiend / Dziewce z ciortem Poland, 1976, 14m Polish with English subtitles U.S. Premiere Szulkin stages a morality play in regards to a sinful woman’s encounter aided by the devil, set to your Polish ballad of the same title and imbued with folkloric imagery. Friday, September 6, 6:30pm Saturday, September 7, 2:00pm
New electronic renovation King Ubu / Ubu krol Poland, 2003, 90m Polish with English subtitles U.S. Premiere predicated on Alfred Jarry’s late 19th-century, proto-Dada political satire Ubu Roi , Szulkin’s last film is a crazy, carnivalesque commentary on post-Communist Poland by which drunken degenerate Ubu (Jan Peszek) seizes control over the monarchy in a supposedly “democratic” takeover (their signature policy: universal free alcohol) and then institute his or her own absurdist, tragicomic reign of terror. Upgrading Jarry’s iconoclastic eyesight with a brand new dosage of dark, post-Soviet cynicism, King Ubu is an incendiary summative statement from a musician whom devoted their profession to lobbing grenades during the equipment of totalitarian corruption that is political. Sunday, September 8, 6:00pm
brand New restoration that is digital, O-Ba: The End of Civilization / O-bi, O-ba – Koniec cywilizacji Poland, 1985, 88m Polish with English subtitles What stays of mankind post–nuclear apocalypse is confined to a squalid underground bunker where survivors toil desperately to uphold the very last vestiges of civilization. They’ve been spurred in by their fervent belief in a fabled Ark that may deliver them from their living hell—a misconception propagated by the powers that be, and distribute, in component, by the increasingly disillusioned smooth (Jerzy Stuhr) while he tries to push away collapse that is total. Employed in an expressionistically grimy, grey- and palette that is blue-toned Szulkin crafts a shattering existential parable concerning the false claims of politics and faith that plays away like a Sisyphean journey into madness. Saturday, September 7, 6:30pm Sunday, September 8, 4:00pm
brand New electronic restoration The War for the Worlds: Next Century / Wojna swiatow – nastepne stulecie Poland, 1981, mail-order-bride.net best ukrainian brides 96m Polish with English subtitles aimed at both H. G. Wells and Orson Welles, Szulkin’s followup to Golem starts utilizing the Christmastime takeover of Poland with a band of hyperintelligent, bloodthirsty martians (played by silver-painted dwarfs in puffer jackets) who enlist hapless tv newscaster Iron Idem (Roman Wilhelmi) whilst the vocals of the 1984 propaganda machine that is-esque. However when Iron dares to set off message, he makes an enemy also more than the aliens: the state it self. Released just like Poland was being plunged into martial legislation and instantly prohibited, The War associated with Worlds: Next Century is really a disturbingly prescient allegory of energy, control, and news manipulation in a post-truth globe. Friday, September 6, 9:00pm Sunday, September 8, 2:00pm